Kingdom Death: Marred by Misogyny?

Miniature-based wargaming has long been a male-dominated hobby, one that has partially been kept that way by the portrayal of women in many of the games (well-endowed and often scantily clad women in provocative poses, etc...). Anyone who has had any involvement with the hobby can doubtlessly come up with plenty of examples of this, but today I want to touch on one of the newer offenders, Kingdom Death. After over 2.5 years since being successfully funded on Kickstarter, the base game for Kingdom Death: Monster is finally in the hands of the over 5000 project backers. For those unaware, Kingdom Death: Monster is a survival horror boardgame which puts you in control of a band of human survivors awakening in a nightmarish realm of endless night, beset on all sides by cohorts of horrid creatures. The imaginative and unsettling creatures that populate the game take heavy inspiration from Kentaro Miura's fantasy-horror epic, Berserk (Bruticus over at Ex Profundis has an excellent compilation of artwork from  the manga if you are interested). To complement this unique theme, all of the survivors and monsters have been skillfully realized in game terms as finely detailed miniatures. The theme and accompanying miniatures would have been enough to support a successful Kickstarter campaign (back in late 2012, Kickstarter was not as inundated with miniature games). However, one of the primary things used to promote the game were "pin-up' versions of many of the human survivors. All of these pin-ups are female, generally very sparsely clothed, and often in suggestive poses. Just a glance at some of the concept art for these pin-ups should give you a good idea of what I am referring to:

Kingdom Death: Plastic or resin?

Just how well do the plastic Kingdom Death models stack up to the resin ones?

Before the Kickstarter campaign made Kingdom Death a common name amongst miniature wargamers, and before there were widespread claims of it having sexist aesthetic design choices, Kingdom Death was only a small collection of models and a vision of mind-numbing horror. A few years before the Kickstarter was launched, I saw their Forsaker model, with his frightening height, segmented armour, and antlered mask, and was captivated by the baroque design, one that seemed to be mimicking Kentaro Miura's masterwork graphic novel/manga series, Berserk. When they released their King’s Hand model, I was convinced that it was strongly influenced by Berserk. With the exposed brain design on the King’s Hand’s helmet, the creepy porcelain faces, and the grasping hands, I felt that I was looking at the spiritual successor to the horrific and unknowable evil that is the character Void of the God Hand from Berserk. This strong visual connection to one of my favorite graphic novel/manga series convinced me to try to get a few Kingdom Death models. This was before they started to experiment with casting their models in plastic (one of the primary goals of the eventual Kickstarter), so all their models were in extremely limited production runs  (~450 or fewer), making many models highly collectable and inaccessible to fans (you would find yourself continually checking back to their site and/or coolminiornot hoping to find the small window when the models were available). All of these models were hand cast in white resin, and came in a little cardboard collectors box, with a numbered certificate and art print. Recently, due to the success with their Kickstarter campaign, they were able to release a selection of their models in plastic. With the release of this kit (Pinups of Death - Hard Plastic Collection), I thought it would be a great time to look at some of their models, and examine the strengths and weaknesses of their resin and plastic models.