Remembering Kentaro Miura's Legacy: Berserk

Guts surrounded by evil spirits.

Earlier this month the world suffered the tragic loss of one of its most talented visual storytellers, Kentaro Miura. He passed away at the age of 54, having suffered acute aortic dissection. Miura is best known for the creation of the seminal dark fantasy Berserk. Originally a manga series, it has spawned a host of animated series and films, covering various arcs of the expansive manga that was still being created by Miura and his team up until his death. Taking place in a medieval fantasy world, Berserk follows a battered mercenary named Guts who suffers unimaginable tragedy and betrayal and goes on a quest for vengeance, as he struggles against destiny. The world in Berserk is often oppressively dark and violent, befitting of its title and the rage that consumes its main character. It is not completely defined by action and bloodletting, however. I would go as far to say that the series’ greatest strength is its human element. It deftly tells a tale of loss and suffering, showing how its main character deals with this strain. It speaks to the concepts of hope and peoples’ ability to heal, as well as finding the willpower to move forward even when destiny seems against you. The original animated series, and more particularly the manga, was a great influence on the three of us, with it occupying much of our free time, along with Warhammer 40k, during our high school years. In this post, we wanted to talk a little about that inspiration and how Berserk fits into our miniature hobby.

Unboxing: Kingdom Death Monster

All 22lbs of Kingdom Death, inside a custom printed shipping box.

After almost 3 years of waiting, and becoming increasing frustrated with Kindgom Death’s portrayal of women in their Pin-up side project (which admittedly has not bearing on the game itself), I had almost resolved to just sell my copy of Kingdom Death when it arrived.  Upon receiving the box, I decided to give the game a chance, figuring I would likely never get the opportunity to see the game again, due to its impressive price tag ($400 retail, substantially higher than the Kickstarter price).  After spending some time with the game, going through the contents of the box and reading through the rules, I am happy to have decided to keep the game.  Not only does it have the highest production values of any boardgame that I have ever seen, it also treats its subject matter seriously, without any of the objectifying of women present in their pin-up line of models.  I thought people would appreciate seeing some pictures of what is in the box, to get a sense of the quality and to determine if it is something you are interested in.

Kingdom Death: Marred by Misogyny?

Miniature-based wargaming has long been a male-dominated hobby, one that has partially been kept that way by the portrayal of women in many of the games (well-endowed and often scantily clad women in provocative poses, etc...). Anyone who has had any involvement with the hobby can doubtlessly come up with plenty of examples of this, but today I want to touch on one of the newer offenders, Kingdom Death. After over 2.5 years since being successfully funded on Kickstarter, the base game for Kingdom Death: Monster is finally in the hands of the over 5000 project backers. For those unaware, Kingdom Death: Monster is a survival horror boardgame which puts you in control of a band of human survivors awakening in a nightmarish realm of endless night, beset on all sides by cohorts of horrid creatures. The imaginative and unsettling creatures that populate the game take heavy inspiration from Kentaro Miura's fantasy-horror epic, Berserk (Bruticus over at Ex Profundis has an excellent compilation of artwork from  the manga if you are interested). To complement this unique theme, all of the survivors and monsters have been skillfully realized in game terms as finely detailed miniatures. The theme and accompanying miniatures would have been enough to support a successful Kickstarter campaign (back in late 2012, Kickstarter was not as inundated with miniature games). However, one of the primary things used to promote the game were "pin-up' versions of many of the human survivors. All of these pin-ups are female, generally very sparsely clothed, and often in suggestive poses. Just a glance at some of the concept art for these pin-ups should give you a good idea of what I am referring to: