The following article was originally published on Greg’s music blog, Fine Enough, I Suppose. It concerns the written work of Thomas Ligotti, and the efforts of the record label, Cadabra Records, to bring his work to a wider audience. The outlook of Ligotti’s work is deeply pessimistic, fitting in nicely with the bleakness of the 41st millennium.
One of the most affecting and memorable live performances of my life was seeing Jon Padgett doing a reading of Thomas Ligotti’s short story “The Bungalow House”, accompanied by live guitar and electronics performed by Chris Bozzone. It was my first introduction to the work of Thomas Ligotti, a contemporary horror writer who espouses a particularly dismal world view, and uses his work as a means to explore this outlook. Padgett, a fantastic author of weird fiction himself, did an amazing job invoking the crushing loneliness of the narrator of “The Bungalow House”. I was utterly spellbound, hanging on every word, caught up in a horror that was far more affecting than the hackneyed violence that is the hallmark of many modern horror tales. I came away from the event as a fan of Ligotti’s fiction, and of Jon Padgett, as well. He read his own story “20 Simple Steps to Ventriloquism”, and I was astounded at his ability to take something as mundane as a guide book (the story is presented as a guide to becoming a skilled ventriloquist and beyond), and turn it into something deeply unsettling. This event was hosted by Cadabra Records, who had just released a spoken word vinyl record of “The Bungalow House”, with Jon Padgett doing the reading and Chris Bozzone handling the instrumentation. This event was a live recreation of that release, and the first event of its kind hosted by Cadabra Records. Although it is hard to believe now, this event occurred back in May of 2019, more than three years ago! I have been eager for Cadabra Records to host similar events, but the onset of the COVID-19 pandemic prevented that.
